Heavy and Weird Presents: Collapse Into Now – Volume One – Artist Announcement – Jackalpac

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Heavy and Weird Presents: Collapse Into Now – Volume One

A night of new Progressive, Experimental, Psychedelic and Pop music from Brisbane and Beyond – true future music

Thursday 8th December 2016 – 6:00pm at the Bearded Lady – $10.00 entry fee

Artist Announcement:

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Jackalpac

Jackalpac has an eclectic sound, featuring melancholic vocals over atmospheric guitars, synths and heavy grooves. This production-focused group draws influence from artists such as Kashmir, Radiohead, Jeff Buckley and The Smiths.

After a hiatus, Dan Huey has recruited a new line up in the current members. Jackalpac re-emerged and the group is currently working together on producing new music in their project studio, to be released in 2016 and beyond.

Jackalpac’s live shows are raw and powerfully energetic with a cohesive sound reflecting the driven group dynamic in the band. They’ve supported the likes of John Steel Singers, Sherlock’s Daughter, The Big Dead, Skinny Jean and been played on a variety of radio stations, including Triple J and 4zzz.

Useful Links:

Facebook – https://www.facebook.com/jackalpac/
Bandcamp – https://jackalpacmusic.bandcamp.com/

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Heavy and Weird Presents: Collapse Into Now – Volume One – Artist Announcement – Captain Cake

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Heavy and Weird Presents: Collapse Into Now – Volume One

A night of new Progressive, Experimental, Psychedelic and Pop music from Brisbane and Beyond – true future music

Thursday 8th December 2016 – 6:00pm at the Bearded Lady – $10.00 entry fee

Artist Announcement:

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Captain Cake

Captain Cake is a Comedy laptop musician from Brisbane in the tradition of anti-Comedian Neil Hamburger. Captain Cake’s unique brand of comedy has thrilled and repulsed audiences but due to it’s surrealist nature it always guarantees hardcore happiness to erupt after his set has concluded. Imagine Freddy Got Fingered via Tim and Eric with the pop sensibilities of TISM and you’ll get close to the unique must see entertainment extravaganza that is Captain Cake aka Brisbane’s Greatest Living Comedian and Australia’s first ever Psychedelic Comedian.

Check It Out His Total Godhead New Single “Good Father”

 

Useful Links:

Facebook – https://www.facebook.com/captaincakeyohoho/

Heavy and Weird Presents: Collapse Into Now – Volume One – Artist Announcement – Papperbok

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Heavy and Weird Presents: Collapse Into Now – Volume One

A night of new Progressive, Experimental, Psychedelic and Pop music from Brisbane and Beyond – true future music

Thursday 8th December 2016 – 6:00pm at the Bearded Lady – $10.00 entry fee

Artist Announcement:

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Papperbok

Ever since the mid-2000’s Brisbane has been promising to produce a pop band capable of taking over the world and since about 2010 we’ve watched them all fade away, break up or attempt to pathetically move onto the next trend. We’re confident in saying that finally Brisbane has the band capable and it is Papperbok and on their debut album “Girlk” they don’t waste anytime proving why they will ascend to become the new pop music elite.

Imagine Pink Floyd only with more shoegaze aesthetics and post-rock drama then mix it with all of the great British mood bands of the 60’s, 70’s, 80’s and 90’s then you’ll get close to what makes Papperbok special. For every pop hook there is a moody interlude swaying in and out allowing there music to move along like one big track. All of the players in the band are masters of their craft and know the perfect time to be silent but also attack. This makes their proggier moments more interesting and the pop songs a more direct punch. It’s nice to hear a band lean on their influences but not get too nostalgic about it. You can certainly hear that Papperbok are disciples of The Flaming Lips, Blur, Radiohead and The Beatles but they don’t steal or replicate, they re-invent these established dynamics to help create their own unique sonic dialogue.

Useful Links:

Facebook – https://www.facebook.com/Papperbok
Bandcamp – https://papperbok.bandcamp.com/
MySpace – https://myspace.com/papperbok
Triple J Unearthed – https://www.triplejunearthed.com/artist/papperbok

Heavy and Weird Presents: Collapse Into Now – Volume One – Artist Announcement – Galapogos

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Heavy and Weird Presents: Collapse Into Now – Volume One

A night of new Progressive, Experimental, Psychedelic and Pop music from Brisbane and Beyond – true future music

Thursday 8th December 2016 – 6:00pm at the Bearded Lady – $10.00 entry fee

Artist Announcement:

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Galapogos

Galapogos are purveyors of everything and nothing favouring the sweet release of pop skills soaked in the energy of the moment in order to birth an explosion of hushed harshness dripping with cinematic nonsense that is in debt to all of the vibrations that connect with humans on an emotional level.

Established in 2010, Galapogos have managed to become one the most prolific and best kept musical secrets in the country. In the past five years the Galapogos live shows and album releases (Established Ghosts (2011), Feel Or Suffer (2013), Strange Species (2014) and An Emptiness (2015)) have become legendary with a heavy focus on improvisation, pop skills and a lot of noise nonsense experimentation. It has the capacity to be quite an intense journey that travels the full gauntlet of emotions both known and unknown.

The uneducated have labeled Galapogos many things but the band simply refers to their intense noise meditations as Progressive, Psychedelic and Experimental – a beautifully rapturous sound designed to summon the true aliens among us. Despite their funny coloured feet people seem to like what Galapogos do and in return they love them back. Galapogos are always happy to wear the claws if you’d like that.

Dadaism – Surrealism – Noise – Pop Art – Sprechgesang – Free Atonality

Yoko Ono and Kim Gordon

Useful Links:

Facebook – https://www.facebook.com/galapogosbrisbane
Bandcamp – http://galapogos2.bandcamp.com/

Heavy and Weird Presents: Collapse Into Now – Volume One – Artist Announcement – VOIID

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Heavy and Weird Presents: Collapse Into Now – Volume One

A night of new Progressive, Experimental, Psychedelic and Pop music from Brisbane and Beyond – true future music

Thursday 8th December 2016 – 6:00pm at the Bearded Lady – $10.00 entry fee

Artist Announcement:

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VOIID

There was a quote from Kurt Cobain at some point during his life where he said that the next great rock revolution would be lead by a woman or something like that. Whilst we don’t want to get too political we think it’s a relevant stance because in this godforsaken local music scene known as Brisbane, the only relevant music being made and the only music that resonates is the stuff driven by Female Human Beings. Make of that what you will but you know, there is only so much “hell fuck yeah” we can fucking take and we feel like VOIID might be the antidote to all that white middle class macho rock bullshit that is swelling both above and below ground at the moment.

VOIID make smart music and we’re big fans of what VOIID is communicating. We get the feeling that in 12 months time they’ll also be everyone else’s favourite band as well but for now, keep them as your own little secret before you have to share them with the rest of the world.

Facebook – https://www.facebook.com/voiidtheband/

Heavy and Weird Presents: Collapse Into Now – Volume One – Artist Announcement – Quintessential Doll

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Heavy and Weird Presents: Collapse Into Now – Volume One

A night of new Progressive, Experimental, Psychedelic and Pop music from Brisbane and Beyond – true future music

Thursday 8th December 2016 – 6:00pm at the Bearded Lady – $10.00 entry fee

Artist Announcement:

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Quintessential Doll

Quintessential Doll is one of the first real 21st Century artists to light a path to the new sound of now. As an Artist, she is fiercely original, mysterious, a master communicator and the true evolution of psychedelic music. Existing somewhere between pop music structures and hip hop dynamics, Quintessential Doll presents her music as art and uses every inch of the creative dialogue – the audio and the visual – to showcase her fearlessness. Everything she creates moves in a hypnotic unison hooking you in, taking you deep beneath the drama beating at the centre of her music’s turmoiled shining light. It flattens you to the point of being totally breathless and haunts long after the experience has finished. There is an exhaustion and real high that comes on once the music finishes, almost like an endorphin release. It’s a fucking soul drenched experience that rips open your heart, makes you want to weep but at the same time you want to just fucking run and get the fuck out of what ever bad situation you find yourself in. In 2016 and beyond Quintessential Doll’s music deserves to be the new national anthem for those human beings who have graduated from teenage angst to adult pain and who still seek the emotional rush of a good pop song when it comes to finding a remedy for trying to feel some kind of “I’m not alone” resolve.

Pure Fractured Perfection – Quintessential Doll is an intoxicating experience that combines the exotic search for understanding in a world that continues to function within the boundaries of rules and regulations.

Useful Links:

Official Website – http://quintessentialdollmusic.com/
Facebook – https://www.facebook.com/quintessentialdoll

 

 

SINGLE AND FILM CLIP OF THE WEEK: “Brisbane, Transit Centre” by Andrew Tuttle

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Today we are proud to be bringing you a combined single and video of the week. The artist in question is a Brisbane underground legend whose pioneering sounds have helped establish him as one of the most respected artists in our country. I’m of course talking about Andrew Tuttle and we’re proud to be premiering his new single and video for a new piece titled “Brisbane, Transit Centre” which you can stream down below.

 

The single is a re-interpretation of a live staple of Andrew’s which was originally recorded a few years back for his first EP under his own name. The song was recorded and mixed whilst Andrew was doing a fortnight residency at EMS Elektronmusikstudion in Stockholm after a short European tour in April/May, in between working on a new album,  a follow up to his fantastic 2016 release “Fantasy League.” This single is the first of two standalone singles Andrew will be releasing over summer in the lead up to the album release in mid-2017.

There is a dedication to mood and atmosphere but where other artists may favour the drone Andrew slips into the sunshine of pop music and more traditional folk stylings in order to ground his noise experimentation’s. There are lots of Jim O’Rourkeism’s all over this new single and that totally rules because I’m a devout believer in the healing power of Jim O’Rourke. I can hear the nods to all the pioneers of this genre but for me it was the pop skills of this track that impressed me most. I automatically had millions of different vocal melody ideas leap out of my mind as I sunk deep into this strictly instrumental track. The song is a beautiful thing to witness and is a nice slice of cinematic bliss that will leave you wanting more.

The film clip for this song also does a wonderful job of selling the magic of this song – have a peek below:

 
For those that don’t know, here is a quick history lesson (courtesy of Andrew’s BIO) –  Andrew Tuttle, based in Brisbane, Australia; creates sounds that explore the relationship between instrumentation, structure and genre within electronics and acoustics. Tuttle, usually solo, although occasionally in semi-regular and ad-hoc collaboration, creates a synthesis of electronic/acoustic instrumentation and genre, and improvisation/composition performed on computer, banjo, synthesiser, acoustic guitar, etc etc.

Under his own name and previously from 2004-2013 under the moniker Anonymeye, Tuttle has released recordings on labels including A Guide To Saints (Room40), Heligator, Someone Good (Room40), Bedroom Suck, Feral Media, hellosQuare, Twice Removed, Duskdarter, sound&fury, Flaming Pines, and New Weird Australia. Under his own name, solo, and in collaboration, Tuttle has performed at festivals including St Jerome’s Laneway Festival (Brisbane, AU), Melbourne International Jazz Festival (Melbourne, AU), OtherFilm Festival (Brisbane, AU) and Sonic Masala (Brisbane, AU); and venues including Cafe OTO (London, UK), Gallery of Modern Art (Brisbane, AU), Institute of Modern Art (Brisbane, AU), Le Bourg (Lausanne, CH), 107 Projects (Sydney, AU), HeK (Basel, CH), Plunge (Milan, IT), Brisbane Powerhouse (Brisbane, AU), The Old Museum (Brisbane, AU) and Howler (Melbourne, AU). Tuttle has collaborated live and/or on record (or in other situations) with musicians and sound artists including Matmos, Lawrence English, Mike Cooper, Blank Realm, Cornel Wilczek (Qua), Heinz Riegler, Inner Light (Smoke Bellow), Seaworthy, Rauberhohle, Kris Keogh, Joel Stern, Feet Teeth, Pale Earth and Sasha Margolis (Automating). As well as the aforementioned, Tuttle has shared concert lineups with artists including Matmos, Julia Holter, Forest Swords, Hauschka, The Soft Pink Truth, Daniel Bachman, Gudrun Gut, OM, Deradoorian, Pimmon, Omar Souleyman, Heinz Riegler, Julian Day, Kris Keogh, Tralala Blip, Wixtes, Lumisokea, Monika Brooks, Marihiko Hara and Sparkspitter.

Prior to 2013, Tuttle primarily recorded and performed under the moniker Anonymeye. After three albums, two dozen other recorded appearances and over one hundred live performances in Australia, Europe, and New Zealand; the Anonymeye moniker was retired in early 2013. When not creating music, Tuttle is an active participant in the Australian independent music community, as a creative director, tour manager, freelance writer and arts administrator. Tuttle also has a strong love for cricket.

Useful Links:

Facebook – https://www.facebook.com/andrewtuttlemusic
Official Website – http://andrewtuttle.com.au

FILM CLIP OF THE WEEK: “Baby” by Angharad Drake

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The haunting video for Angharad Drake’s new single “Baby” just launched and we’re proud to nominate it as our film clip of the week – click play on the below link:

 

 

“Baby” tells the tale of a battered relationship and the paranoia that comes with it, yet the eerie video takes it to a new visual landscape. With a fly-on-the-wall perspective, the video shows us the climatic moment where everything goes awry. A tragedy filtered with breathtaking scenic shots, “Baby” is the picture perfect rendition of pure heartbreak.

Useful Links:

Download the song for free from JJJ Unearthed:

https://www.triplejunearthed.com/artist/angharad-drake

Do the right thing and support the artist – visit Angharad’s Bandcamp and buy her stuff:

https://angharaddrake.bandcamp.com/track/baby

Facebook – https://www.facebook.com/angharaddrake
Official Website – http://www.angharaddrake.com
Bandcamp – https://angharaddrake.bandcamp.com/

ALBUM OF THE WEEK: “Girlk” by Papperbok

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On their debut album “Girlk” Papperbok deliver us 33 minutes of the best psych pop music of 2016 and in the process announce their arrival as a real contender to take down the whole Tame Impala empire. Ever since the mid-2000’s Brisbane has been promising to produce a pop band capable of taking over the world and since about 2010 we’ve watched them all fade away, break up or attempt to pathetically move onto the next trend. I’m confident in saying that finally Brisbane has the band capable and it is Papperbok and on their debut album “Girlk” they don’t waste anytime proving why they will ascend to become the new pop music elite. 

 

What makes “Girlk” such a special experience is the way it is sequenced. For every pop hook there is a moody interlude swaying in and out allowing the album to move along like one big track. As isolated tracks, each song is brilliant but for the ultimate listening experience you need to sit and listen to the record front to back. The production is perfect and despite the extreme layering present on each track there is still a lot of dynamics allowing each track the space to breathe and grow without a total saturation of the frequencies. All of the players on this album are masters of their craft and know the perfect time to be silent but also attack. This makes the proggier moments more interesting and the pop songs a more direct punch. It’s nice to hear a band lean on their influences but not get too nostalgic about it. You can certainly hear that Papperbok are disciples of The Flaming Lips, Blur, Radiohead, The Beatles and Pink Floyd (and Tame Impala I’m willing to bet as well) but they don’t steal or replicate, they re-invent these established dynamics to help create their own unique sonic dialogue.

The real star of this album however is Annabelle Bingley whose vocals create such a spooky yet beautiful atmosphere. It doesn’t matter whether she is on lead vocals or providing backing vocals, she is a truly creative force and provides fresh, interesting and dynamic melodic passages that lift these songs to some out of this world places. Her voice is pure escapism and carries with it equal amounts of beauty, despair, angst, heartache, humour and celebration. Any dull rock n roll or pop song cliché displayed by the band is instantly washed away the moment her voice elegantly arrives on any of the tracks. 

 That is not to say that this album is cliched, far from it. In context of the modern music landscape it is a true treasure to behold. As a movement of music “Girlk” is a sublime treat of psych pop goodness that is in debt to all of the great British mood bands of the 60’s, 70’s, 80’s and 90’s and although the band has opted for a concept record it’s hard for me not to dig deep into these lyrics and see them as metaphors for the authors own personal pain. Using a bit of fiction to help amplify the deep sigh of modern living works well for Papperbok and it allows for the emotion of each song to be more direct and in the process opening up your own imagination. It’s all very cinematic and as one piece of music it moves like “The Final Cut” era Pink Floyd only with more shoegaze aesthetics and post-rock drama which helps to edge it to sounding like a lost timeless classic. 

 This album may have taken Papperbok a number of years to record and release but I’m confident it won’t take long for the band to receive extreme critical acclaim for the end result. I’m confident in saying that “Girlk” is a definite contender for our end of year top eleven list and I look forward to seeing the rest of the world fall in love with the brilliant, intense and smart song writing skills that Papperbok have shown on this record. 

 An outstanding debut album that is total fucking godhead

 By: Dan Newton

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